About Lewat Djam Malam Usmar Ismail’s Lewat Djam Malam (After the Curfew) is a classic 1954 Indonesian film set in the aftermath of the revolution that brought an end [...]
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By the very nature of its diversity, the Asian member countries of the ASEM region are a terrain of new stories. The filmmaking is avant garde in its raw [...]
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The recent 3D buzz has got everybody asking, ‘Is 3D is going to be the future of Cinema?’
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In Cinema Sans Frontiers, Professor Herman van Eyken and Dr Margaret McVeigh discuss a case study – 33 Postcards (2011) an Australia/China co-production – and outline Griffith Film School’s [...]
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The relation between the film as end product and the audience changes greatly, as the distinction between film industry and experimentation widens proportionally. No greater distinction can be noticed [...]
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Even with the gloomy, sad, depressing, painful, or distressing atmosphere and the main characters that are almost constantly disappearing or dying, the Western spectator is thankful for Korean movies, [...]
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Jung strolled lonely through the streets of Seoul. He was five, hungry and lost, as many other kids in the immediate afterword of the Korean War. A police agent [...]
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A country that is having to make important decisions on how to fight the terrorist threat, relations with its neighbour, its healthcare system, even its Cricket affairs, Pakistan is [...]
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